PHILOLOGY OF ITALIAN LITERATURE

Knowledge of stylistic and material features of the 14th century Italian poetry and of its manuscript tradition, particularly in Petrarch’s works.

Knowledge of the textual problems of the 19th century Italian poetry.

Knowledge of the basic elements of literary lexicography and of the main problems involved in the creation of concordances and data bases related to the 19th and 20th century Italian poetry.

Knowledge of the methods of author’s philology.

The problems and the texts included in this course are strictly connected with the methods and the problems of Romance Philology.

A Manuscript Vat. Lat. 3196: history and description, marginal notes, textual relationships with the original manuscript of Rerum vulgarium fragmenta (Vat. Lat. 3195) (2 CFU).

B Philology and tradition of poets in Leopardi’s poems: Ad Angelo Mai e Ultimo canto di Saffo (2 CFU).

C Literary lexicography, concordances and data bases. Some applications to 20^th century Italian poetry (1 CFU).

D Author’s variants: theoretical basis and textual applications (1 CFU).

A

- F. Petrarca, Canzoniere (the student has to choose a commented edition and read at least 30 poems);

- the digital reproductions of manuscripts and of the critical edition (RVF 145, 191, 211, 297, 319) (available on http://studium.unict.it);

- G. Savoca, Il Canzoniere di Petrarca tra codicologia ed ecdotica, Firenze, Olschki, 2008, capp. I-V, pp. 1-177, e cap. VII, pp. 201-227;

- A. Romanò, Il codice degli abbozzi (Vat. Lat. 3196) di Francesco Petrarca, Roma, Bardi, 1955 (available on http://studium.unict.it);

- R. Antonelli, Rerum vulgarium fragmenta di Francesco Petrarca, in Letteratura italiana. Le opere. I. Dalle origini al Cinquecento, Torino, Einaudi, 1992, pp. 379-412 (available on http://studium.unict.it).

B

- The digital reproductions of manuscripts and of the printed editions (available on http://studium.unict.it);

- G. Leopardi, Canti, a cura di F. Gavazzeni e M. M. Lombardi, Milano, Rizzoli, 1998;

- G. Leopardi, Canti. Edizione critica di Emilio Peruzzi, Milano, Rizzoli, 1998, pp. 5-14, 89-130, 257-279 (available on http://studium.unict.it);

- G. Savoca, Leopardi. Profilo e studi, Firenze, Olschki, 2008, pp. 3-43 (available on http://studium.unict.it);

- L. Blasucci, I tempi dei “Canti”, Torino, Einaudi, 1996, pp. 177-218 (available on http://studium.unict.it);

- F. D’Intino, La tradizione delle opere di Giacomo Leopardi, in Storia della letteratura italiana. Volume X. La tradizione dei testi, Roma, Salerno, 2001, pp. 1133-1140 (available on http://studium.unict.it).

C

- G. Savoca, Lessicografia letteraria e metodo concordanziale, Firenze, Olschki, 2000, pp. 7-61, 185-193, 263-283 (available on http://studium.unict.it);

- G. Savoca, Parole di Ungaretti e di Montale, Roma, Bonacci, 1993, pp. 61-108 (available on http://studium.unict.it).

D

- P. Italia - G. Raboni, Che cos’è la filologia d’autore, Roma, Carocci, 2010, pp. 7-71.

Please remember that in compliance with art 171 L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or journals, only 15% of their content can be copied.

For further information on sanctions and regulations concerning photocopying please refer to the regulations on copyright (Linee Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian Association on Copyright).

All the books listed in the programs can be consulted in the Library.