The course analyses authors and themes of the history of aesthetics from the ancient times till today. The goal is to provide to students the knowledge related to the modern and contemporary historical-artistic debate, aiming to understand and deepen the key features of the discipline.
A. General part (3 CFU)
The main historical stages of the aesthetics: from Antiquity to the Renaissance, from the Baroque to the eighteenth century, Idealism, Romanticism, Marxism, Neo-Idealism, Positivism, Evolutionism, Psychological Aesthetics, Linguistic, Semiotics, human Sciences, Vitalism, Pragmatism, analytical Aesthetics, Phenomenology, Existentialism, Hermeneutics, Deconstructionism. The themes of aesthetics: beautiful, form, symbol, taste, genius, imagination, mimesis, ugly, sublime, tragic.
B. Monographic part (3 CFU)
- Ernst Cassirer: three seminars on art as a symbolic form (language and art and the educational value of art).
- Guy Debord: The society of entertainment understood as a social relationship between men mediated by images
A. General part
- E. Franzini- M. Mazzocut-Mis, Estetica, Milano, Mondadori, 2010, pp. 1-319.
B. Monographic part
- E. Cassirer, Simbolo mito e cultura, Roma, Laterza, 1981, pp. 149- 219.
- G. Debord, La società dello spettacolo Milano, Baldini& Castoldi, 2019, pp. 35-226.
Please remember that in compliance with art 171 L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or journals, only 15% of their content can be copied.
For further information on sanctions and regulations concerning photocopying please refer to the regulations on copyright (Linee Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian Association on Copyright).
All the books listed in the programs can be consulted in the Library.