DRAMATURGY

The course provides students, who have largely already studied Performing arts, historical-critical and thematic instruments around questions of dramaturgy, with special attention to exchanges of language.

The course is combined in three parts. The module A, theoretical and institutional, deals with general questions of dramaturgy. The module B focuses on the theatrical language of Lucia Calamaro, one of the very best voices of the contemporary Italian scene. The module C is an in-depth focus about the plays of Eleonora Danco, a very interesting performer, involved in a particular research between drama, poetry and cinema.

A Dramaturgy: method and definitions (3 CFU)

Text:

- A. Cascetta, L. Peja (a cura di), Ingresso a teatro. Guida all’analisi della drammaturgia, Firenze, Le Lettere, 2003 (pp. 9-24, 49-113, 139-232, 233-271, 279-323).

B Dramas of Thougt. Lucia Calamaro between language and style (1 CFU)

Texts :

- L. Calamaro, La vita ferma. Origine del mondo, Torino, Einaudi, 2018 (pp. 153).

- Il ritorno della madre. Il teatro di Lucia Calamaro, a cura di R. Palazzi, Roma, Editoria&Spettacolo (pp. 7-17, 335-349).

C The eccentric plays of Eleonora Danco (2 CFU)

Text:

- E. Danco, Ero purissima, Minimum Fax, 2009, pp. 95.

Videolecture:

- E. Danco, N-Capace (2014);

Bibliography:

- S. Rimini, Uncategorized. La poesia visiva di Eleonora Danco, in «Uzak», 26, www.uzak.it .

Please remember that in compliance with art 171 L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or journals, only 15% of their content can be copied.

For further information on sanctions and regulations concerning photocopying please refer to the regulations on copyright (Linee Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian Association on Copyright).

All the books listed in the programs can be consulted in the Library.