Churches, Religions and Multiculturalism

M-STO/07 - 6 CFU - 2° Semester

Teaching Staff

ROSSANA BARCELLONA


Learning Objectives

Learning about the main tools to understand and classify religious phenomena.

Acquiring in-depth knowledge about some concepts strictly and differently related to religious issues in general and to early Christianism, such as: Identity, Diversity, Laity.


Course Structure

The course structure will be based on frontal lectures, but students will be expected to contribute actively to the discussion on the topic under consideration with questions and answers. The frontal teaching will be supported by power point slides and other tools. The material presented in class (PowerPoint slides, sources, essays) will be available for download at the Studium platform.



Detailed Course Content

A (3 CFU): Religions of the Book

- Issues pertaining to the history of religions and methodology.

- Historical evolution and interactions of contemporary monotheisms.

- Founders of Religious traditions.

- Hebrew Bible and Catholic Bible.

- The Koran.

- Jesus in the Koran

B (3 CFU): Religions and violence in the cinema

- Acquiring knowledge to understand religion as a dimension of cross-culturalism.

- Film and Religions: the birth of a research field and its methodology

- Film and Religions: Interpretative Research Paradigms

- War and Otherness in the film.Three Animated Movies:

1. Persepolis, (Marjane Satrapi -Vincent Paronnaud) 2007;

2. Waltz With Bashir, (Ari Folman) 2008;

3. Avatar, (James Cameron) 2009

- Film screening and discussion.



Textbook Information

A (3 cfu):

- G. Filoramo - F. Pajer, Di che Dio sei? Tante religioni un solo mondo, Società Editrice Internazionale, Torino 2011, pp.170.

- P. Stefani, La Bibbia. L’Antico e il Nuovo Testamento: il libro per eccellenza, Il Mulino, Bologna 2004, pp. 133.

- P. Branca, Il Corano. Il libro della civiltà islamica, Il Mulino, Bologna 2001, pp. 120.

B (3 cfu):

- S. Botta - E. Prinzivalli (eds.), Cinema e religioni, Carocci 2010, pp. 1-58.

- AA.VV., Persepolis dal fumetto al film, RCS, Milano, 2008, pp. 9-15; 55-59; 75-85.

- E. Abou Mrad, L’animazione digitale in Valzer con Bashir di Ari Folman (2008), academia.edu, pp. 1-5.

- S. Botta, Sul consumo dei corpi indigeni. Avatar di James Cameron come oggetto religioso, in Le religioni e le arti, Morcelliana, Roma, 2015, pp. 181-203.

- R. Barcellona-T. Sardella (eds.), Violenza delle parole e parole della violenza, Mimesis, 2019, pp. 7-46; 125-224.

 

Please remember that in compliance with art 171 L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or journals, only 15% of their content can be copied.

For further information on sanctions and regulations concerning photocopying please refer to the regulations on copyright (Linee Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian Association on Copyright).

All the books listed in the programs can be consulted in the Library.




Open in PDF format Versione in italiano