STORIA E IMMAGINI IN ETA' MODERNA

To provide adequate historical knowledge of the modern age, especially with regards to the cultural shocks created by new geographical discoveries of the early XVI century. It will be examined also the reaction towards the “aliens”, as represented in history, literature and iconography. Finally, another goal is to become able to recognize the complexity of any historiographic construction.

A. Narrations and descriptions: New World(3CFU)

The first module, focused on the Early Renaissance and its role in the construction of a notion of universal culture, will explore the fears of a period only on the surface governed by harmony. Through the support of historical and iconographic sources, the students will explore the political and cultural tensions of the age, mainly caused by the discovery of the New World and the relationship with new civilizations.

B Narrations and descriptions: the enemy (3 CFU)

The second one will deepen some watershed moments of early modern history thanks to an iconographic path that will use visual sources as emblems of these crucial moments. That will lead to an explanation of this methodological choice, but also to the understanding of how powerful the communication through visual arts is and how deep is their tie to politics and society.

A. Narrations and descriptions: New World (3 CFU)

A. Cassi, Ultramar. L'invenzione europea del Nuovo Mondo, Roma-Bari, Laterza, 2007, pp. 212.

B. Narrations and descriptions: the enemy (3 CFU)

F. Cantù, G. Di Febo, R. Moro (edited by), L’immagine del nemico. Storia, ideologia e rappresentazione tra età moderna e contemporanea, Roma, Viella, 2009 (pp. 216).

Suggested Readings (only choose one) :

- F. Surdich, Verso il nuovo mondo, L'immaginario europeo e la scoperta dell'America, Roma, Giunti editore, 2002, pp. 240.

- M. Sentieri, G.Zazzu, I semi dell’Eldorado. L’alimentazione in Europa dopo la scoperta dell’America”, Bari, Dedalo, 1992 (pp. 283).

- C. Monteleone, Oro, cannibali, carrozze: il nuovo mondo nei saggi di Montaigne, Milano, Bollati Boringhieri, 2011 (pp. 275).

- P. Burke, Il Rinascimento, Bologna, Il Mulino, 2001 (pp. 160).

Please remember that in compliance with art 171 L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or journals, only 15% of their content can be copied.

For further information on sanctions and regulations concerning photocopying please refer to the regulations on copyright (Linee Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian Association on Copyright).

All the books listed in the programs can be consulted in the Library