CHRISTIAN AND MEDIEVAL ICONOGRAPHY

The course aims to address the artistic production of the Middle Ages and the early Renaissance from the point of view of iconographic themes, both pagan and Christian, and stylistic trends, paying particular attention to the relationship between objects, literary sources and social dynamics, in order to provide tools for understanding and reading sacred and profane images.

Lectures.

The course, always favoring the aspects most closely connected to the cultural message of images, will highlight the formal responses that artists formulated both for pagan and sacred iconographies.

A) Preliminary and methodological issues:

S. Settis, Iconografia dell’arte italiana 1100-1500: una linea, in Storia dell’arte italiana. Parte I. vol. 3, L’esperienza dell’antico, dell’Europa, della religiosità, Torino, Einaudi, 1979, pp. 175-270, ripubblicato come S. Settis, Iconografia dell’arte italiana 1100-1500: una linea, Torino, Einaudi, 2005

B) Profane iconographies:

E. Wind, Misteri pagani nel Rinascimento, Milano, Adelphi, 1985.

C) Religious iconographies:

A. Ballarin, Leonardo a Milano. Le due versioni della Vergine delle rocce. Con una nota sul ritratto di Cecilia Gallerani, Verona, Edizioni dell’Aurora, 2019.

Please remember that in compliance with art 171 L22.04.1941, n. 633 and its amendments, it is illegal to copy entire books or journals, only 15% of their content can be copied.

For further information on sanctions and regulations concerning photocopying please refer to the regulations on copyright (Linee Guida sulla Gestione dei Diritti d’Autore) provided by AIDRO - Associazione Italiana per i Diritti di Riproduzione delle opere dell’ingegno (the Italian Association on Copyright).

All the books listed in the programs can be consulted in the Library.